The serpentine plotline of Luc Besson’s La Femme Nikita begins its 117-minute slither when punkish, psychotic, and drug-ridden Nikita (Anne Parillaud) fires her gun into a cop’s face following the stick-up of a drug store, and is promptly imprisoned. She is thrown into a tank cell, then injected with a substance and told it is a lethal toxin. Instead of dying, however, the comes to in an all-white interrogation room, where French intelligence officer Bob (Tchéky Karyo), informs her that an alternate to execution exists: she can receive covert government training as an assassin. She accepts the bid, is rigorously trained, and later returns to society as a seemingly normal and gentle civilian, but falls in love with a drugstore employee while she’s waiting for that first government assignment and the story goes from there. The paradoxical concept of a young woman blossoming socially while carrying out cold-blooded murders was downplayed when La Femme Nikita was remade in America as the silly and disappointing Point of No Return, directed by John Badham with Bridget Fonda in the lead. A far less sociopathic TV-series version of La Femme Nikita surfaced on the USA cable network in early 1997. The diplomatic plates on the Mercedes driven by Victor in the mission to the embassy has a code indicating that it belongs to the Australian embassy. The “big gun” Nikita uses during the restaurant scene is a two toned Israel Military Industries Desert Eagle Mark VII chambered in .357 magnum. The odd looking gun that Nikita uses in Venice is a silenced Steyr AUG, an Austrian made assault rifle.