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Archive for the category “Italian Film”

EVERYBODY KNOWS (2018)

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A film by Asghar Farhadi

Cast: Penélope Cruz, Javier Bardem, Jaime Lorente

Carolina (Penélope Cruz) and her Argentinean  husband with their children comes back to her hometown Madrid for a wedding. During the wedding unexpected events takes place that will reveal secrets to the open.

This film is the open film at the Cannes Film Festival, ok then good move but….. Here is the most looked at director who is the most creative of them all, with the Separation his masterpiece, and the client where he shines now he does a film in Madrid and it fall apart. As soon as the film started a quarter of it into it I knew where this was going and who did it and i do hate that from the most creative director. He needs to get back on the horse soon.The disappointment of his latest opus must take into account that Farhadi had never made any mistakes so far, until now.  Let’s first dispel any misunderstanding: the transposition in Spain of an initial material intended to be shot in Iran is not, a priori, a problem in itself. Farhadi had proved that he knew how to find his bearings in a shoot abroad, with actors of a language that is not his own.  Le Passé, made in France, allowed to find his style. However shot in Madrid everything falls apart. I am not saying that the film is not good it is watchable and it has a great cast with some great performances. Because of that Everybody Knows deserves the attention.

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CALL ME BY YOUR NAME (2017)

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A film by : Luca Guadagnino

Cast: Armie Hammer, Timothée Chalamet, Michael Stuhlbarg 

Italy back in The 80’s , a romance will blossoms between a seventeen year-old student and the older man hired as his father’s research assistant aver the summer.

First love , the warm, sunny skies, gentle breezes and charming, tree-lined roads of northern Italy in the summer. what more do you want; Well two beautiful women massaging my body while I drink wine, I know I am dreaming but trust me it is going to happen soon. Just a feeling I got. Guadagnino takes us to they wonderful place where he is patient in telling you the story and you must be also as well. Not an easy thing to do I was wondering where this was going then he hit me. It’s the summer of 1983, and there’s nothing to do but read, play piano, learn about art and pick apricot and peaches and drink wine. Dam! life was so simple back then.

CALL ME BY YOUR NAME (2017)

17-year-old Elio (Timothee Chalamet) visiting his family’s summer home with his parents: his father (Michael Stuhlbarg), a professor of Greco-Roman culture, and his mother (Amira Casar), a translator and hostess. Elio is growing up fast he is 17 years old who  has an intellect of an adult. An American doctoral student named Oliver (Armie Hammer) arrives for the annual internship Elio’s father offers .  It seems that Oliver has everything and that Elio doesn’t ,that’s what the director want you to think. However the two are going to test even push each other though out the summer. They flirt, they try to one up each other on Literature, art and music. Elio how ever tries to romance a french girl on vacation there but thing are no going to go so well at first it is and then Olivier happens. I think Elio knew who he is but denied it to himself that is why he tried to romance this girl. The all film is shot beautifully well on location with some nice setting. There is a sweetness between the two as the story develop especially toward the end. Both actors here are well into their characters that goes double for the Franco-American actor chalamet, there is a fluidity between his languages from French, to Italian and english. A different kind of love story this time between two men. the most beautiful scene here is toward the end when Elio’s father talks to him. Even the ending  felled so perfect.

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LO CHIAMAVANO JEEG ROBOT (2015)

 

 

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A film by Gabriele Mainetti

Cast: Claudio Santamaria, Luca Marinelli, Ilenia Pastorelli

English: They called him Jeeg Robot

Ok here is a Italian film that was released in 2015 we just got it in France on the big screen today. C’est la vie. The english title however is going to be They call me Jeeg Robot.

Enzo (Claudio Santamaria), a small-time criminal who makes ends meet on a daily basis, pick-pocketing and so on a small fish staying out of the gaze of the bigger fish. One day, after being chase by the police Enzo hides along the side of the bay in the water. After being sick and vomiting black goop, Enzo discovers he can suddenly resist almost any impact,  he is super-strong, and his wounds heals  fast. So he uses his newfound powers the best way he knows: By ripping an ATM machine with his bare hands, well after all he is a criminal so therefore it is going to be easy for him to make money.

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Alessia is a girl with a mental disorder who escapes reality by continuously watching the Jeeg Robot anime and relating everything to it. Somehow because of her the emotional wall that Enzo has been building around him is going to crash slowly. In the mix you put in an other gang headed by Fabio who see things in big. Here it is not you standard super hero story. It is funny at times and dark the next, than sad and so on. Jeeg Robot totally cleaned up at the Italian Oscars, getting  sixteen nominations out of a possible twenty-four, and winning seven of them, including all four acting categories. The thing is here they left it open for a second one or more which I hope to see them made.

THEY CALL ME JEEG ROBOT

 

 

FAI BEI SOGNI (2016)

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A film by Marco Bellocchio

Cast: Bérénice Bejo, Valerio Mastandrea, Fabrizio Gifuni, Emmanuelle Devos

English title: Sweat Dreams. 

Here is the life of  journalist Massimo Gramellini’s autobiographic novel Sweet Dreams, Little One, made into a movie by Marco Bellocchio.

At the age of nine, Massimo’s mother (Barbara Ronchi) dies. This tragic event haunts Massimo from his childhood to his adult years. He becomes a journalist. 30 years later he discover this little secret about his family. You first see the life of Massimo with his mother and the love she had for him. You see sweet dreams are the words that little Massimo’s mother whispered into his ear while he was sleeping, before she took her last breath. Lost without his mother Massimo was forced to grow up under that dark cloud of anguish. Because he was shy he sank refuge to his own imagination. He is having a hard time letting go the death of his mother despise all the success a s a journalist. One day he meets Elisa (Bérénice Bejo), a young  doctor, this allows him to come to terms with that childhood secret.  Bejo here doe know how to speak Italian, Espagnol, she is Argentinian and  she is married the French director Academy award winner for the film L’artist Michel Hazanavicius one of those actress that I love . Fai Bei sogni is a human tragedy, a tender movie that open the Cannes Film festival in 2016. A beautiful film.

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BLOW UP (1966)

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A film by Michelangelo Antonioni

Cast: David Hemmings, Vanessa Redgrave, Sarah Miles

Americans flew to “swinging London” in the 1960s; today’s Londoners pile onto the charter jets to Orlando. Yes you are going to get used to this film with the loopy psychedelic colors and no I do not recommend that you take LSD watching this film although there is smoking marijuana although out this film well it is the 60’s and back then that was in fashion sort of speak.

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The movie stars David Hemmings, who became a 1960s icon after this performance as Thomas, a hot young photographer with a Beatles haircut, a Rolls convertible with models wanting for him to get a chance to pose for him. Nice life right? He spends his days in tightly scheduled photo shoots the model Verushka plays herself like I said nice life. Thomas wanders into a park and sees, at a distance, a man and a woman. Are they struggling? Playing? Flirting? He snaps a lot of photos. The woman (Vanessa Redgrave) runs after him. She desperately wants the film back. He refuses her and takes off.

Why does she wants the pictures? Well Thomas decided to find out. He boos up the pictures and sees something but what is it? There are different interpretation here and you will see what I mean when you see the film. I have my own and I bet it is different from yours. Yes there is a menage à trois scene and today, the sex seems tame, and what makes the audience gasp is the hero’s contempt for women. I put this film on my category of great movie  Do not miss it.

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LEA (2015)

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A film by Marco Tullio Giordana

Cast: Vanessa Scalera, Linda Caridi, Alessio Praticò

Lea grew up in a mafia family in Calabria. The father of her daughter Denise is also a member of the Mafia. Lea however wants a different life for her daughter, free of violence, fear and lies. She decides to cooperate with the justice, to benefit of the witness protection scheme and thus try to escape …Inspired by the true story of Lea Garofalo, the struggle of a woman to escape the Mafia.

Although this film is just now showing in France on the big screen it is a TV movie in Italy.  The director Marco Tullio Giordana, whose work has always been marked by political events in Italy in the 1970s and by the fight against the Mafia, recounts the struggle of a woman to find peace and secure her daughter,  who always risk her life. A character who has been able to break the code of silence. Vanessa Scarera (Lea Garofalo) incarnates the character to a T. Always trying to get rid of her boyfriend who is the mafia she is unable to do so and tries different tactics. No it is not a life for a kid not for a mother either as Denise grows up Lea see one solution to the problem. Marco Tullio tells the story of this Contemporary lesson in courage à l’italienne.

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LIKE CRAZY (2016)

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A film by Paolo Virzì

Cast: Micaela Ramazzotti, Valeria Bruni Tedeschi, Valentina Carnelutti

Villa Biondi is the Tuscan nut house for women where we first see Beatrice (Bruni Tedeschi), who can’t stop talking  and  superficially masters every social situation thanks to her stunning ability to invent one convincing lie after another. She manages to hold it together with the help of her meds.Then a newcomer Donatella (Ramazzotti), a painfully thin, tattooed mess who arrives bruised inside and out. She is withdrawn and distrusting of everyone.She retreats even further after Beatrice does an impression of a psychiatrist. Later after much snooping around it is reveals that Donatella is heavily medicated and has a child she once tried to kill. One day Beatrice and Donatella has a pass to go outside and yes here goes a road trip like crazy.

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A terrific dramatic comedy about two women in a mental institution that avoids the pitfalls such a scenario could encounter and a bragging  delicious dialogue with a rare sense of balance. Beatrice’s cascades of words are practically nonstop (it’s amazing Bruni Tedeschi took breaths), her character was flowing out of her naturally, it is a joy to see a talented actress at her best. Ramazzotti, painfully thin for the role and looking like she has eat in day and being in a drug rehab transforms herself into a woman who is damage on the inside deep on the inside, here is an other terrific actress that has chemistry with Tedeschi. The two desert each other here with such a brilliant scenario that have a remarkable dialogue. Here is a different road trip with 2 female who are emotionally damaged. Summer light and heat inform the bright, saturated visuals capturing the beautiful Tuscany landscape. How not to love those two woman like crazy. Seriously a jewel of a movie that you must not miss.

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EL MERCENARIO (1968)

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A film by Sergio Corbucci

Cast: Franco Nero, Tony Musante, Franco Giacobini, Jack Palance

The year is 1915 and the story of The Mercenary takes place in the middle of the Mexican revolution. Paco (Tony Musante), is disguised as a clown as he performs for an audience, that is the opening shot soon to be narrated and to takes us back on how Paco got here. Jaco works at the mine where they are all miss treated and fed poorly. Soon after that Paco and his comrades wants to over town the government. Enters  a Polish gunfighter (Franco Nero) that Paco hires to help him in his quest.  Along the way Paco clashes with Ricciolo (Jack Palance), who wants his revenge against Paco.

Corbucci directed several Spaghetti Westerns, like The Great Silence, Compañeros and The Mercenary. Ennio Morricone would compose 7 Spaghetti Western scores for Corbucci. And yes there is gun fight, bar fight, machine gun fight, a airplane, and cars plus a lot of explosion the thing that would expect in a spaghetti western. Be sure that Tarantino was influence by this film. And to top it all off there is comedy and one liner plus the actors delivers their roles perfectly well. Have fun with this one.

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EL-MERCENARIO

 

CINEMA PARADISO (1988)

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A film by Giuseppe Tornatore

Cast: Philippe Noiret, Enzo Cannavale, Antonella Attili

Cinema Paradiso has won a multitude of awards and yes they have won at the oscar for best foreign film. Now there is two version of the film the theater’s cut and the director’s cut I recommend you to see the director’s cut because the theater’s cut it is missing 50 minutes of film. I know they do that, it is the best 100 film of all time. So if you missed this one I suggest to see it as soon as possible.

The film has two main characters: old Alfredo (Philippe Noiret), who rules the projection booth, and young Salvatore (Salvatore Cascio), who makes the booth his home away from  home.As the patrons line up faithfully, night after night, for their hunger for films without kisses, (well you will have to see the film) the boy watches in wonder as Alfredo wrestles with the balky machine that throws the image that the boy dreams of. You see the movie takes places in a little town in Sicily before television. At first Alfredo tries to chase Salvatore away, but eventually he accepts him in his booth and teaches him how to work the machine eventually although Salvator knows how as he was watching Alfredo doing it. Salvatore certainly considers the old man his father, and  the movies as his mother. Tornatore tells us in an autobiographical note that the theater in his hometown, when he was growing up has a variety of film. Although in the film they were watching all kind of film to foreign film even hollywood movies. We become to know the patrons of the theater who are rude and tough critics. Romances are taking place in the theater, wine is drunk, cigarettes smoked, babies nursed, well you get the point. and yet they were not allowed to watch kissing on screen.

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The film is told in flash back . to the beginning where Salvatore was a child then a teenager and a young man. we see him growing up and falling in love. Salvatore has lived a deprived life but the screen can compensate for that but Salvatore was an apprentice of film.Yes, it is tragic that the big screen has been replaced by the little one. But here in France anyway people goes to the movie theater actually they are building more The are called UGC and there are also Gaumont plus the little theater privately own. I have the UGC MK2 unlimited card to watch films for $24 a month. Yeah  I know lucky. I prefer the big theater than the privately own were there seat at least 70 people. This is a great film and if you are a film buff this one should be on your list. The ending is too dam good. This is the first time I saw this film and I am going to see it again soon.

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IL COMMISSARIO PEPE (1969)

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A film by Ettore Scola

Cast: Ugo Tognazzi, Silvia Dionisio, Tano Cimarosa

Here is a neat little film. A police commissioner in a little town in the Italian Venetian province investigates a prostitution ring run by two dudes; during his investigations he also learns that a former manicurist shacks up with ten students, the chief of police ’s daughter is a  prostitutes who has a  pimp, a famous doctor has sex with his young patients, a headmaster has his eyes on the students (well you know what I mean), a noblewoman organizes orgies in her villa, the local convent is run by a dyke and her actual girlfriend poses for a hardcore magazine. He wants everything to come out in the open but his superiors try to slowing him down.

Nice little town there would you say. This is well filmed and has humor in it but done in a nicest way possible. The commissaire is going a little nuts of what he is discovering. But his superiors do not want him to do anything about it it is fine the way it is for them. You se the commissaire gets letters from the guilty parties who tells them this is going on at that  house. He is trying to do a dossier about it and give it to his superior but he knows too well that nothing tis going to be done. I love this film the fact that it is done nicely with some great dialogue and smart remarks to go with it. The fact that is is film in italic back in the late 60’s with this cool music to go with it you will have a good time -watching it.

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