CHAMPIONS (2018)

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A film by Javier Fesser

Cast: Javier GutiérrezAthenea MataJuan Margallo 

Marco holds the prestigious position of assistant coach of the professional Spanish basketball team. But his bad attitude is a problem. After a series of bad luck for which he is the only one responsible, Marco gets let go and find himself doing community work forced to work with a team of mentally disabled basketball players.

Here is a film that made it in France because the comedies from Fesser does not make it in France but this one did even in Spain at the box office it exploded big time. It is the feel good movie where you are going to have a good time laughing and it is going to be easy to watch. Here is an assistant coach that is fed up with the coach on how to run the team gets let go the next day so the next thing he does is to get drunk at the bar and to finds himself at the wheel where he is going to get in trouble with the police. So a judge gives him community service for a month. He finds out he has to teach a bunch of slow people basketball. And yes somewhere in there, there is a championship to win.

Nice little comedy here where a bunch of slow players are going to get the challenge to play basketball and where Marco is going to have a serious challenge in teaching them but guess what they will learn from each other. Marco here is trying to reconciled with his wife and jungle teaching those players. You will digest this film well. It is a no brainer here just have a good time watching it.

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champions

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THE MAN WHO KILLED DON QUIXOTE (2018)

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A film by Terry Gilliam

Cast: Adam DriverJonathan PryceStellan Skarsgård

Toby (Adam Driver) who is a commercial director who shoot a vodka commercial that utilises the figure of Don Quixote . One night, he finds someone selling a bootleg DVD of his thesis film from ten years ago, itself a Quixote adaptation he shot with some friends and nonprofessional actors at a local village. To get inspired he tries to reconnect with the past by going to the village where he shot his thesis film and may the adventure begin…..

Orson Welles has tried to make this film but the director has died before he could finish it and it took 30 years by the way. Here Gillian tries to make his own film which took 30 years or so in the making, he had truly had a hard time to get the project done. I kind of love it feeling what the hell was this made a lot sooner. Here Toby embarks in the village hoping to reconnect with his youth. He finds that some of the non professional actors that was in his film some had great luck others not. But soon after that he meets the man who played Don Quixote the aging shoemaker Jonathan Pryce who thinks he is Don Quixote. Toby will embark then is this strange adventure in the wild west of Spain. Here you are going to feel lost in the film but Gillian wants you to be. The energy of Gillian here is infectious. The plot is not linear it is going to be going every which way. Not too worry you are going to have a good time. It is presented like a kaleidoscope fable. What I like about it it is going to go in a loop. You’ll know what I mean when you see the film. Here is one for you the actor Jonathan Pryce after the film was done was suppose to go to Cannes but he suddenly had a stroke. Some say it is a curse. Maybe maybe not.

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EVERYBODY KNOWS (2018)

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A film by Asghar Farhadi

Cast: Penélope Cruz, Javier Bardem, Jaime Lorente

Carolina (Penélope Cruz) and her Argentinean  husband with their children comes back to her hometown Madrid for a wedding. During the wedding unexpected events takes place that will reveal secrets to the open.

This film is the open film at the Cannes Film Festival, ok then good move but….. Here is the most looked at director who is the most creative of them all, with the Separation his masterpiece, and the client where he shines now he does a film in Madrid and it fall apart. As soon as the film started a quarter of it into it I knew where this was going and who did it and i do hate that from the most creative director. He needs to get back on the horse soon.The disappointment of his latest opus must take into account that Farhadi had never made any mistakes so far, until now.  Let’s first dispel any misunderstanding: the transposition in Spain of an initial material intended to be shot in Iran is not, a priori, a problem in itself. Farhadi had proved that he knew how to find his bearings in a shoot abroad, with actors of a language that is not his own.  Le Passé, made in France, allowed to find his style. However shot in Madrid everything falls apart. I am not saying that the film is not good it is watchable and it has a great cast with some great performances. Because of that Everybody Knows deserves the attention.

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MARROWBONE (2018)

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A film by Sergio G. Sánchez

Cast: George MacKay, Anya Taylor-Joy, Charlie Heaton

A Spanish film , Marrowbone tells the story of the Fairbairn family, a mother and her four children on the run to the States. They are running from their father. Holing up in a secluded mansion called Marrowbone in 1969, the family takes the estate’s name as their own, pledging to bury the past forever. But…..

Here is a story of a family who are afraid of their life and trying to get away from their father as far as possible. Now in America trying to turn the page and start fresh the mother who is finally happy with her kids falls ill and die not long after they got there. The oldest Jack (George MacKay) promised to keep the rest of the clan safe until he is 21 years of age otherwise the bank will take the house and social services will separate them and put them in fosters families.. 20 old Jack (George MacKay), 19-year-old Jane (Mia Goth), 18-year-old Billy (Charlie Heaton), and five-year-old Sam (Matthew Stagg) try to keep going after Rose passes away, maintaining a low profile in their large rundown mansion , with only a close friendship with the neighboring girl, Allie (Anya Taylor-Joy) .

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Jack does his best to keep the family together until the inevitable happens. There is a twist in the dynamics of the story that will be revealed towards the end.  Jack here is worried about the entity that is in the house and keep mirrors covered to keep it put. It is a slow burner story but interesting enough to keep you interested. The talented cast delivers a terrific performance in this off beat family horror film. The only beef I have with it once the twist is revealed it is going to be predictable. Other wise not too bad at all. It is kind deja vu meaning it looks like I have already seen this film somewhere.

MARROWBONE (2018)

LA CORDILLERA (2017)

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A film by Santiago Mitre

Cast: Walter Andrade, Ricardo Darín, Dolores Fonzi

The president of Argentina, Hernán Blanco (Ricardo Darin) has to go to a summit to make this important decision. the summit takes place in La Cordillera but suddenly a complicated matter arises in the middle of it and will affect both his private and public life. 

Here is a political thriller that takes an unexpected detour into Hitchcock’s Spellbound territory. The film is set during a summit of South American leaders, will discuss an oil alliance. However the president of Argentina who is facing exposure for corruption, has another problem when his daughter, Marina (Dolores Fonzi), suffers a psychiatric episode. a Doctor suggest to puts her under hypnosis, and suddenly she has memories of events from his life of which she could have no knowledge. Now Blanco is wondering who is pulling the string. Is this stage? In the mix a political figure from the United States is trying to influence him on his decision. however the two narrative meets each other but not all your questions will be answered. But it feels like a thriller done by Hitchcock. Mitre here takes on complex stories and puts them together rather well. He looks like he is graduating here and to be the one to watch. Ricardo Darin does as usual a wonderful job playing the president of Argentina. One of my favourite actor in Argentina. The film got a Certain Regard at the Cannes Film Festival last year.

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QUE DIOS NOS PERDONE (2017)

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A  film by Rodrigo Sorogoyen

Cast: Antonio de la Torre, Roberto Álamo, Javier Pereira

English: May god saves us 

An unlikely Duo, inspectors Alfaro and Velarde are responsible for arresting a serial killer with particularly sordid crimes. But, as the investigation progresses, the two police officers under pressure discover their own shadow. A Realistic thriller of an assumed blackness, May god saves seduced us thanks to its two anti-heroes, at the same time endearing and disturbing.

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That was so good. It came out today no disappointment here. A totally great thriller not to be missed. During the summer of 2011, Madrid is confronted with the emergence of movement as they prepared to receive the pope. To add to the surrounding chaos, the city is also the scene of particularly sordid crimes: elderly women are found dead after being abused and the similarities between the cases seem to indicate the involvement of a serial killer.No you don’t say a serial killer in Madrid? The investigation about  this murderer of a particular kind is entrusted to the inspectors Alfaro (Roberto Álamo) and Velarde (Antonio de la Torre), two men with opposing characters who will have to agree to carry out their investigation in a climate Particularly tense. The race against the time engages with the killer but progressively Alfaro and Velarde meet face their own demons, are they basically so different from the monster that they persecute?

Here is a great thriller from Spain. Unlike the puritain  thrillers – notably American – who manage to sweeten the violence and hide as much as possible a nudity considered too disturbing, that of Rodrigo Sorogoyen does not bother with such artifices. Is a matter of fact he goes there full blast and does not shy away from it. It as realistic fell to it I might have. Some scene are raw and dead on. You will go Oh! my god. In this thriller, the evil is displayed brutally and naturally, in all its horror. The film here are a lot of success here because the duo cops both facing their limits. The film goes further by pointing out the flaws of the two inspectors, even if we question our perception of the two heroes. The chase is on in Madrid. More the investigation advances more of the darker aspects of their personality surface. Here is a trilling thriller that is going tot trill you to death with a perfect ending.

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TARTA PARA LA IRA (2017)

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A film by Raúl Arévalo

Cast: Antonio de la Torre, Luis Callejo, Ruth Díaz

English title : The Fury of a Patient Man

Spanish actor Raül Arevalo’s directorial debut The Fury of a Patient Man is a cool revenge thriller. Shot in 16mm, the film uses skillful, hand-held camera movements which the film is going to fell like a 70’s film western style. Shot  with run down vibrant spaces of working class neighborhood outside of Madrid the narrative does not follow the rules of the genre. A neo-black and crepuscular Spanish polar with a taste of western with a hint of the Coen Brothers and Sam Peckinpah.

The film opens with a staging that takes place inside a car. The get-away car driver Curro (Luis Callejo) is waiting for the masked men robbing a jewelry store. But the police get there and Carro can not pick up  masked men and leaving in the getaway car gets caught by the police. Then we are submitted by four brief chapters titled Bar, Family, Ana, and Curro. You See Jose in this bar starring at this woman Ana (Ruth Diaz) and you think that is going to turn into a love story but Jose has his reason. Juanjo (Raul Jimenez) who has a sister Ana is a good friend with Jose who in turn goes to all events birthday and family reunion etc… The romance later is going to turn a little sour and you are going to know why Jose’s intentions are. The Spanish title here is translated late for anger. Here is a man who is patient but pissed off as hell. In the tense scene that unfolds in the basement of a gym, rage that is building up with music that is tense and waiting to snap at any moment. Terrific scene here. Arévalo uses the sound real well here even to use to build the tension even with the music. A good move here when Arevalo very carefully avoided any direct shots of the murders that take place. To me that makes it even more freighting by hearing just the sound. Well I must say here is a talented director as well as a talented actor. Next one please maybe next year?

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