A film by Rodrigo Sorogoyen
Cast: Antonio de la Torre, Roberto Álamo, Javier Pereira
English: May god saves us
An unlikely Duo, inspectors Alfaro and Velarde are responsible for arresting a serial killer with particularly sordid crimes. But, as the investigation progresses, the two police officers under pressure discover their own shadow. A Realistic thriller of an assumed blackness, May god saves seduced us thanks to its two anti-heroes, at the same time endearing and disturbing.
That was so good. It came out today no disappointment here. A totally great thriller not to be missed. During the summer of 2011, Madrid is confronted with the emergence of movement as they prepared to receive the pope. To add to the surrounding chaos, the city is also the scene of particularly sordid crimes: elderly women are found dead after being abused and the similarities between the cases seem to indicate the involvement of a serial killer.No you don’t say a serial killer in Madrid? The investigation about this murderer of a particular kind is entrusted to the inspectors Alfaro (Roberto Álamo) and Velarde (Antonio de la Torre), two men with opposing characters who will have to agree to carry out their investigation in a climate Particularly tense. The race against the time engages with the killer but progressively Alfaro and Velarde meet face their own demons, are they basically so different from the monster that they persecute?
Here is a great thriller from Spain. Unlike the puritain thrillers – notably American – who manage to sweeten the violence and hide as much as possible a nudity considered too disturbing, that of Rodrigo Sorogoyen does not bother with such artifices. Is a matter of fact he goes there full blast and does not shy away from it. It as realistic fell to it I might have. Some scene are raw and dead on. You will go Oh! my god. In this thriller, the evil is displayed brutally and naturally, in all its horror. The film here are a lot of success here because the duo cops both facing their limits. The film goes further by pointing out the flaws of the two inspectors, even if we question our perception of the two heroes. The chase is on in Madrid. More the investigation advances more of the darker aspects of their personality surface. Here is a trilling thriller that is going tot trill you to death with a perfect ending.
A film by Jean Chapot
Cast: Simone Signoret, Alain Delon, Paul Crauchet
English: The burned barns.
A crime was committed in an isolated corner of Haut- Doubs in the winter. The investigating judge suspects one of the members of a family living in a large farm nearby. The head of the family, Rose, an energetic woman, stands up to him.
A woman is dead by her car in the middle of the winter in this little town. Alain Delon plays the investigating judge, Le juge Pierre Larcher, and starts to question the middle-aged married couple Rose and Pierre (Simone Signoret and Paul Crauchet) at the farm. You will see how the investigation will develop and how the judge in 5 steps head of everybody. He is putting the pressure on, he has one press dude who is breathing down his neck. Meanwhile Larcher is putting pressure on this one woman played by Signoret who keeps it together but finds out some stuff about her son.
What I love about this film it was actually filmed in the winter when it was snowing no fake snow here. The two stars did an outstanding job here. The chemistry between Delon and Signoret is burning the screen. I have not seen this film ever and I was not disappointed. Of course there were the 70’s music back them in film it was the coolest thing. I just finish seeing this one. There is an other film were the two stars were in, I am taping it on my hard drive as we speak.
A film by Kiyoshi Kurosawa
Cast: Hidetoshi Nishijima, Yûko Takeuchi, Toru Baba
A couple moved into a new home. The husband, who had been injured a year before by a serial murderer, went from being an investigator to a serial killers professor of criminology. While being asked for advice on a new investigation into disappearances, lonely at home, his wife meets her strange neighbors …
The new Kyosho Kurosawa is certainly one of the best film noir he has ever filmed . First because the nonchalant rhythm of the staging and the humorous digressions of the beginning on the investigations done like in the US, allow a real rise of the suspense. First, because behind this title, which means “zarbi”, many characters are hiding, a fearful neighbor who does not want to talk to anyone, a neighbor with doubtful jokes, but also phobic and spiteful, a young escaping escape. But there is also a sacred scenario with multiple twists and false confusing tracks. Back with “Creepy” a film noir that made his initial success, genre film, Kurosawa adapts here a bestseller by Japanese author Yutaka Maekawa. He makes of it a horrific thriller that gradually distils doubt and anguish, exploiting both the neuroses of the husband linked to an unresolved investigation, and the solitude of the woman forced to stay at home. It is, moreover, on it that the essence of intrigue that the audience will concentrate, towards thus becoming the source of the spectator’s anxiety. It is unsettling at times especially the dark humour that he throws in. The directors supports the tension thanks to multiple twists, succeeding in astonishing the viewer until the last minute. Did I say what a beautiful cast he put together on this one. Not top be missed.
A film by Trey Edward Shults
Cast: Joel Edgerton, Christopher Abbott, Carmen Ejogo
A man is trying to protect himself and his family by boarding his house and stay inside most of the time, but never go out without a gas mask on because it comes at night…….
Here is the cool thing first an intelligent well film horror movie. I did not even see a trailer for it nor that I wanted to see one. I went in without reading any reviews. No I will do that after. And man it was so good.
The film opens with an older gentleman, who is clearly very ill, says goodbye to his family and then gets shot in the head before his son-in-law and grandson burn his body. Pardon me I think I forgot to mention they are wearing gas mask, now you are going to say well the director has my attention and the tension is mounting from there on. Your brain is going to explode with questions. You know what the characters know no flashback here. You are on a journey with them. technically you are going along with the ride. When An intruder tries to break in the house Paul (Joel Edgerton) makes sure he protects his family when he finds out that the man is fine and has a family he brings him in to his house. Director Shults is careful not to give too much information here just bits and pieces of it. His cinematographer has done an excellent job here even the light is carefully use, like the flashlight and the lantern. Even the sound will get to you it will creep you out. The tension build up slowly but surely to the point it is going to be boil over and explode. The sound design here is perfect. The characters are dealing with a lot, the two families are going to have to trust each other although Paul is careful and is strict with his son. Not only that they do not know who has cause this or what it is. It is a question of survival and they are going to be smart about it. A well writing script here as well as well filmed. Trey Edward Shults is now the one to watch.
A film by André Øvredal
Cast: Brian Cox, Emile Hirsch, Ophelia Lovibond
When the police brings them the immaculate body of a Jane Doe , Tommy Tilden (Brian Cox) and his son, forensics believe that the autopsy will be a mere formality. As the night progresses, they continually discover strange and disturbing things inside the body of the deceased.
The Autopsy of Jane Doe immediately intrigued with its opening crime scene then deepened your interest when the film moved into a family ran morgue. On their way out the sheriff gets him a body of a Jane Doe that he found in the basement where a crime was committed. But the son instead going on a date with his girl friend he decides to stay with his father to help him with the autopsy, well he is intrigued and wants to discover more about the body. As they cut in the body they very quickly find that it is going to be a strange night. The Autopsy of Jane Doe has a positive yet complicated father / son relationship. They get along fine and both love their jobs. However their relationship is going to be tested as the night goes on. During these moments, science, reason, logic, and investigation combated growing uneasiness things start to happen, things that are unexplainable. A bit predictable but it is going to be a feast for the horror fans out there. Yes the film stand out and was kept under wrap here is France. not the greatest either but entertaining. At least someone has used their imagination for this one.
A film by Andreas Prochaska
Cast: Sam Riley, Tobias Moretti, Paula Beer
Through a hidden path a stranger arrives in this little town hidden away by the mountains. The stranger wants to stay until spring but nobody knows where he comes from, they know this much they do not want him here.
The stranger named Greider is hosted in a hostile and suspicious way, especially by the six Brenner brothers who terrorize the village and whose father owns all the land. He is lodged by a widow who lives with her daughter, Luzi, about to marry the young Lucas. Greider begins by photographing the village, its inhabitants, the valley, he tells Luzi that he lived in Texas, he wears strange serrated spurs and hides a Winchester-type rifle unknown in this town. Flash back reveals the village’s heavy secret little by little you are beginning to know what the stranger is doing here in this little town, and it is not going to be pretty. Here is a patient, intelligent man waiting for the ideal moment to let his purpose be known. It is nothing that you are already seen in western but this one takes places in Austria’ alps. The film is incompatible to the traditional American Western.
Also the story takes a spin once you know the secrets of the town and providing the flashback. Andreas Prochaska showers this film in mystery and you are going to sense the blood bath that is going to follow. The cinematography captures the raw paysage of winter as well as spring. The dark valley here fells like a Clint Eastwood film like the one High Plain Drifter. This film however is an adaptation of the book I think of the same name I am not sure yet.
A film by Jordan Peele
Cast: Daniel Kaluuya, Allison Williams, Bradley Whitford
In Get Out, a smart and scary freakout about a black man in a white nightmare, the laughs come easily and then bang here comes the kill.
The film open with a black man talking on a cellphone on an empty suburban street briskly sets the tone, unsettles the mood, and you go I know what this is going to be about but you don’t. Those arms and smiles all but hug Chris (Daniel Kaluuya), a photographer with a sweet pad, adorable dog and equally frisky, adoring girlfriend, Rose ( Allison Williams). The story opens with them preparing for a long weekend with her parents Ho! boy. “Do they know I’m black?” Chris gently asks, like I said Ho! boy!!! Not to worry she said my parents are not racist. Okay then. Chris and Rose pulls up her parents house which is picture perfect and you know something is off when Chris meets her parents.
A stroke of genius here the film comes across like a zombie/The Stepford Wives film but much better manipulated differently. Get Out’s premise follows the traditional framework of an outsider discovering the horrors of a secluded local, but adds its own unique spin. The film is disturbing and at times satirical with some tension. As Chris discover more about the folks that comes to the party it gets a very strange feeling to the point he wants to get out. The film here has a genuine chills and a surprising dose of biting humour. It is refreshing that someone has used the imagination to get this one right and turn it into an original idea.